Glory of the World
A review of “Glory of the World: Color Field Painting (1950s to 1983)” at the NSU Art Museum, Fort Lauderdale.
Due to ongoing exhibition preparations—my show opens in New York one week from tomorrow—today’s regularly scheduled Asynchronous Studio Book Club installment has been delayed until next week. In the meantime, I’m pleased to announce that my latest for The New Criterion, a review of a phenomenal exhibition of abstract painting at the NSU Art Museum, is now live and will appear in the June print edition any day now. Let me know if you need access.
Content at DMJ is free but paid subscriptions keep it coming. Please consider one for yourself and thank you for reading.
“Franklin Einspruch: Tangibilia,” an exhibition at THERE in New York City, runs June 1-8, with an opening on June 1. Hope to see you there.
The current entry of the Asynchronous Studio Book Club is Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action by J.F. Martel. For more information see the ASBC calendar, which is kind of toast at the moment, but it will give you an idea of what typically goes on.
Dissident Muse’s first publication, Backseat Driver by James Croak, is available now at Amazon.
Aphorisms for Artists: 100 Ways Toward Better Art by Walter Darby Bannard is out now at Allworth Press. More information is available at the site for the book. If you own it already, thank you; please consider reviewing the book at Amazon, B&N, or Goodreads.