Due to circumstances beyond everyone’s control, my residency last October at Directangle, the one that produced Satyr & Nymph, got cut short. The proprietor was kind enough to have me back for a printing day to make up for it, and I got three new risographs made.
I also shot and edited a process video for the above riso, behold:
There’s a drawing layer executed in pencil and printed as Federal Blue, then three color screens, red, yellow, and aqua, burned from drawings made with my finger and powdered graphite. Directangle has two riso machines, so we were able to load yellow and aqua into one and red and Fed blue into the other, then feed one stack into the other.
Drawn from Life, Knitter, and Family Conversation are all in the store at the usual affordable riso price, and there’s also a three-for-two bundle available, temporarily.
Content at DMJ is free but paid subscriptions keep it coming. Please consider one for yourself and thank you for reading.
Our current book for the Asynchronous Studio Book Club is I Paint What I Want to See by Philip Guston. Obtain your copy and jump in. For more information see the ASBC schedule.
Dissident Muse’s first publication, Backseat Driver by James Croak, is available now at Amazon.
Aphorisms for Artists: 100 Ways Toward Better Art by Walter Darby Bannard is out now at Allworth Press. More information is available at the site for the book. If you own it already, thank you; please consider reviewing the book at Amazon, B&N, or Goodreads.
Off-topic: Pierre d'Alancaisez has a great review of *The Time Is Always Now* at the National Portrait Gallery in London: https://petitpoi.net/?na=v&nk=457-2943159313&id=80
These look great.